Posts Tagged ‘donovan’

ZIG ZAG DREAMS

December 15, 2012

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Sorry!

 

Download for this mixtape is no longer available.

 

If you’d like me to send you the file drop me a line at isyourclaminajam@gmail.com and I’ll send it to you.

 

If you’d just like a listen head over to MIXCLOUD.

 

I WEAR A COBRA SNAKE FOR A NECKTIE

May 22, 2012

Sorry!

Download for this mixtape is no longer available.

If you’d like me to send you the file drop me a line at isyourclaminajam@gmail.com and I’ll send it to you.

BEING YOUNG, FEELING OLD AND HAVING JUST A DRINK TO HOLD

March 22, 2012

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*+* CLICK ON THE ARROW ON THE SOUNDCLOUD WIDGET TO DOWNLOAD PODCAST!! +*+

I DRINK SWEET WINE FOR BREAKFAST

July 7, 2011

JEFFERSON AIRPLANE — TODAY (1967)

DONOVAN — MUSEUM (1966)

EDWARD SHARPE AND THE MAGNETIC ZEROS — HOME (RAC MIX) (2010)

THE WHO — CIRCLES (INSTANT PARTY) (1965)

THE 13th FLOOR ELEVATORS — SPLASH 1 (1966)

GATHER ‘ROUND JUMBLE

May 17, 2011

GANG GANG DANCE — GLASS JAR

THE SILVER APPLES — WALKIN’

DEVENDRA BANHART — AT THE HOP

DONOVAN — THREE KINGFISHERS

LOVE — GATHER ‘ROUND

I’M ALLERGIC TO FLOWERS JUMBLE

May 2, 2011


DUCKTAILS — KILLIN’ THE VIBE

PINK FLOYD — CHAPTER 24

THE JEFFERSON HANDKERCHIEF – I’M ALLERGIC TO FLOWERS

DONOVAN — THE PEBBLE AND THE MAN

PAUL KANTNER & GRACE SLICK — SKETCHES OF CHINA

VALENTINO VAMP JUMBLE

April 14, 2011

DONOVAN —  SAND AND FOAM

LIGHTNIN’ HOPKINS — LONESOME ROAD

THE PRETTY THINGS — S.F. SORROW IS BORN

THE ROLLING STONES — LADY JANE

CLOUD CONTROL — THERE’S NOTHING IN THE WATER WE CAN’T FIGHT

BROKEN JUMBLE

April 13, 2011

CAT’S EYES – - I KNEW IT WAS OVER

TAME IMPALA — IT’S NOT MEANT TO BE

DEVENDRA BANHART — BABY

DONOVAN — CELESTE

LOVE — ALONE AGAIN OR

SPRING TIME’S HERE KIDDIES, IT’S TIME TO TAKE A TRIP!

April 18, 2010

I apologize for the lag between the last post and the new one, but as most of you in the northern hemisphere have experienced in the last few days the weather has been gearing up towards the glorious summer.

As a result I have been enjoying the weather, as many of you; but at the same time have compiled a list of some of my favourite summer songs (in no particular order) to accompany you in the (sunny) days to come.

DONOVAN – SUNNY SOUTH KENSINGTON (1967)

A psychedelic gem from Donovan’s 1967 album “Mellow Yellow”. Similar in subject to Sunshine Superman’s “The Trip”, as it was a tale of a night on acid out in Los Angles with Bob Dylan and Mama Cass amongst the others, Sunny South Kensington is a song about the vibrant scene in South West London in the mid 60. Lyrics such as “Mary Quant and Jean-Paul Belmondo/Got stoned to say the least,/ and Ginsberg ended up dry/So he too a trip out East” tell the tale of what Swinging London’s finest were doing at the moment; and it’s not only drugs!

If you’re interested in another sunny part of London sung about by Donovan, here is “Sunny Goodge Street”

THE YOUNG RASCALS – GROOVIN’ (1967)

“Groovin’ ” is a step away from the blue eyed soul that predominated the Young Rascals sound towards more afro-cuban rhythms that at the time intrigued lead singer and main songwriter Felix Cavaliere.
The song was a massive hit in the US in May 1967 and has reappeared in the charts in later years through various reinterpretations.

THE BUBBLE PUPPY – I’VE GOT TO REACH YOU (1969)

The Bubble Puppy were label mates to the pioneering 13th Floor Elevators in the massively influential International Artists label. This epic 7 minute song starts off with a hard-bluesy riff that leads to a melodic flower-power guitar verse followed by a majestic chorus. (Unfortunately the version on the video was recorded from a faulty turntable resulting in a slower-than-normal sounding song).

OS MUTANTES – A MINHA MENINHA (1968)

Os Mutantes, together with other Brazilian greats such as Gilberto Gil, in a time of military dictatorship in their home country created a sound that blended  typical Brazilian sounds together with psychedelic rock resulting in one of the most interesting genres in South America, Tropicalia. Os Mutantes split in 1978 and have since influenced many artists, Kurt Cobain was a massive fan and in the early 90s wrote a letter to the three founding members begging them to reform.

LOVE – MAYBE THE PEOPLE WOULD BE THE TIMES OR BETWEEN CLARK AND HILLDALE (1967)

Taken from Love’s 1967 psychedelic masterpiece “Forever Changes”; Maybe The People Would Be The Times Or Between Clark and Hilldale describes Arthur Lee’s peace of mind when on Sunset Strip in L.A. in the mid/late 60s.
The legendary Whiskey a GO-GO club was situated between Clark and Hilldale and the song describes the LA subculture through a spanish flamenco guitars fused with a more electric West Coast Sound, backed by Lee’s generation-defining lyrics:

“What is happening and how have you been
Gotta go but I’ll see you again
And oh, the music is so loud
And then I fade into the…

Crowds of people standing everywhere
‘Cross the street I’m at this laugh affair
And here they always play my songs
And me, I wonder if it’s…

Wrong or right they come here just the same
Telling everyone about their games
And if you think it obsolete
Then you go back across the street
Yeah, street, hey hey

When I leave now don’t you weep for me
I’ll be back, just save a seat for me
But if you just can’t make the room
Look up and see me on the…

Moon’s a common scene around my town
Here where everyone is painted brown
And if we feel that’s not the way
Let’s go paint everybody gray
Yeah, gray, yeah”.

A SONG A YEAR: The UK in the 1960s (Part 2)

March 30, 2010

1965: The Yardbirds – For Your Love

If, as Andy Warhol once said, “Everything went young in 1964!” then everything went a little naughty in 65. The Yardbirds were a nest to three of the most important British guitarists, Jeff Beck, Eric Clapton and Jimmy Page.
Started as blues band, like many at the time, the Yardbirds stated experimenting with different sounds, as well as different substances, giving birth to a movement that would later be called psychedelia. For Your Love is particular for its eastern feel, groundbreaking at the time, and for the fact that Eric Clapton hated it so much (it was pop in his eyes, not blues) and quit shortly after its release; only to form one of the most important hard rock psychedelic bands, Cream, a couple of years later.

1966: Donovan – Sunshine Superman

Donovan also started innovating the British music scene in the mid-60s when he went from his acoustic folk work to a more electrified, experimental and “far-out” sound. Having visited California in early ’66 where a whole new movement was starting to grow, from the Laurel Canyon bands in LA that performed on the Sunset Strip, to the more psychedelic Haight-Ashbury early hippies in San Franscisco performing at the Filmore West. At his return, and while in LA Donovan recorded what can be considered one of the very first psychedelic albums, Sunshine Superman, which ushered a generation into love, flower power and mysticism.

* i know it’s meant to be a song a year, but this song from 1966 must also be heard, by Wimple Winch, a band from Stockport that had a brief career, spawning this excellent freakbeat gem, best enjoyed played LOUD!

1967: The Deviants – Charlie

We all know that 1967 is one of the most important years in music, mainly because of The Beatles’ Sergeant Pepper’s Lonely Hearts Club Band, which would spread the psychedelic movement across the world and let everyone know that it was ok to do whatever you wanted to. In London though, at the legendary UFO Club, where Pink Floyd moved their first lysergic  steps, a young band fronted by Mick Farren would take being outcasts to another level. The (Social) Deviants, were championed by guru DJ John Peel and have since been an inspiration for Punk, Metal and any sort of music that involves rebelling and being as loud as possible.

1968: The Pretty Things – Walking Through My Dreams

In 1967 at the Abbey Road studios in London, while The Beatles were recording the generation defining Sergeant Pepper’s, Pink Floyd were recording their glorious debut The Piper at the Gates of Dawn and the Pretty Things, a raw and aggressive R&B band whose founding members were in a band with Jagger and Richards in the early 60s, recorded the highly underrated S.F. Sorrow.
Poor Pretty Things, when they were playing R&B, Mick Jagger, intimidated by the Pretties’ rawer style, made a call to famous music showcasing TV program “Ready, Steady, Go!”  telling them to choose between “us or them”, needless to say the Stones were chosen. A couple of years later, after they had recorded S.F. Sorrow, a concept album telling the story of a man’ s life and death through songs (considered the first “rock opera”) Pete Townsend stole their idea and with the Who recorded Tommy, stealing the limelight from the excellent SF Sorrow.
Here is a great non-album track from those sessions, released in 1968.

1969: The Zombies: Time Of The Season

The Zombies were one of the most influential British Invasion bands of the 60s, inspiring millions of American teens in forming a band, they had sold-out stadium shows in the Philippines but when they broke up no-one seemed to care. Odessey and Oracle, their last album, released after the band had already split would be ignored at its time, the band didn’t tour and promote it as they had already broken up and the masses were listening to more acid-drenched heavy rock, such as the Grateful Dead, Cream, Led Zeppelin and the Jimi Hendrix Experience.
Quickly becoming a favourite amongst critics, O&O stands out for its baroque feel, unbarred emotions and fantastic execution. If you don’t already own and love Odessey and Oracle, well it’s the time of the season to get and fall in love with it!


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