Posts Tagged ‘blues’

A SONG A YEAR: The UK in the 1960s (Part 2)

March 30, 2010

1965: The Yardbirds – For Your Love

If, as Andy Warhol once said, “Everything went young in 1964!” then everything went a little naughty in 65. The Yardbirds were a nest to three of the most important British guitarists, Jeff Beck, Eric Clapton and Jimmy Page.
Started as blues band, like many at the time, the Yardbirds stated experimenting with different sounds, as well as different substances, giving birth to a movement that would later be called psychedelia. For Your Love is particular for its eastern feel, groundbreaking at the time, and for the fact that Eric Clapton hated it so much (it was pop in his eyes, not blues) and quit shortly after its release; only to form one of the most important hard rock psychedelic bands, Cream, a couple of years later.

1966: Donovan – Sunshine Superman

Donovan also started innovating the British music scene in the mid-60s when he went from his acoustic folk work to a more electrified, experimental and “far-out” sound. Having visited California in early ’66 where a whole new movement was starting to grow, from the Laurel Canyon bands in LA that performed on the Sunset Strip, to the more psychedelic Haight-Ashbury early hippies in San Franscisco performing at the Filmore West. At his return, and while in LA Donovan recorded what can be considered one of the very first psychedelic albums, Sunshine Superman, which ushered a generation into love, flower power and mysticism.

* i know it’s meant to be a song a year, but this song from 1966 must also be heard, by Wimple Winch, a band from Stockport that had a brief career, spawning this excellent freakbeat gem, best enjoyed played LOUD!

1967: The Deviants – Charlie

We all know that 1967 is one of the most important years in music, mainly because of The Beatles’ Sergeant Pepper’s Lonely Hearts Club Band, which would spread the psychedelic movement across the world and let everyone know that it was ok to do whatever you wanted to. In London though, at the legendary UFO Club, where Pink Floyd moved their first lysergic  steps, a young band fronted by Mick Farren would take being outcasts to another level. The (Social) Deviants, were championed by guru DJ John Peel and have since been an inspiration for Punk, Metal and any sort of music that involves rebelling and being as loud as possible.

1968: The Pretty Things – Walking Through My Dreams

In 1967 at the Abbey Road studios in London, while The Beatles were recording the generation defining Sergeant Pepper’s, Pink Floyd were recording their glorious debut The Piper at the Gates of Dawn and the Pretty Things, a raw and aggressive R&B band whose founding members were in a band with Jagger and Richards in the early 60s, recorded the highly underrated S.F. Sorrow.
Poor Pretty Things, when they were playing R&B, Mick Jagger, intimidated by the Pretties’ rawer style, made a call to famous music showcasing TV program “Ready, Steady, Go!”  telling them to choose between “us or them”, needless to say the Stones were chosen. A couple of years later, after they had recorded S.F. Sorrow, a concept album telling the story of a man’ s life and death through songs (considered the first “rock opera”) Pete Townsend stole their idea and with the Who recorded Tommy, stealing the limelight from the excellent SF Sorrow.
Here is a great non-album track from those sessions, released in 1968.

1969: The Zombies: Time Of The Season

The Zombies were one of the most influential British Invasion bands of the 60s, inspiring millions of American teens in forming a band, they had sold-out stadium shows in the Philippines but when they broke up no-one seemed to care. Odessey and Oracle, their last album, released after the band had already split would be ignored at its time, the band didn’t tour and promote it as they had already broken up and the masses were listening to more acid-drenched heavy rock, such as the Grateful Dead, Cream, Led Zeppelin and the Jimi Hendrix Experience.
Quickly becoming a favourite amongst critics, O&O stands out for its baroque feel, unbarred emotions and fantastic execution. If you don’t already own and love Odessey and Oracle, well it’s the time of the season to get and fall in love with it!

Monday Morning Blues

February 22, 2010

Rain, cold, wind, misery, MONDAY……. What’s the matter? Did the Blues get you?

For all of those with the monday morning blues here is a few songs that may help you get by today until tomorrow.

Mississippi John Hurt – Frankie  (1928)

Robert Johnson – Sweet Home Chicago (1937)

Leadbelly – Where did you Sleep Last Night? (1944/1948)

Elmore James – Dust my Broom (1952)

Hownlin’ Wolf – Spoonful (1960)

Lightnin’ Hopkins – Lonesome Road (1960)

The Rolling Stones – Down Home Girl (1965)

The Animals – Bring it on Home to Me (1965)

Syd Barrett – Bob Dylan Blues (1970)

Muddy Waters – Champagne and Reefer (1981)

Smoke Fairies at The Lexington 1st February 2010

February 2, 2010

As I said yesterday in my “Ones to Watch in 2010″  post, The Smoke Fairies are one of the most exciting new bands at the moment.

Playing infectious Folk Blues topped by angelic voices, at times in unison, at times harmonizing with each other, the Smoke Fairies are a touching and special experience to see live.

As I arrived at The Lexington in Pentonville Road at around 8.15 and quickly bought my ticket, fearing the show had already started i rushed to the concert room upstairs only to find a few people listening to young Natalie Evans, a ginger haired teenage folk minstrel, playing such soft and sweet songs that the audience had to whisper when ordering a drink at the bar. I then found out that the Smoke Fairies were not to play before 9.30 and there was another opening act, Matthew Robins.

Matthew Robins sings fairy tales of made up characters such as Fly-Boy, Moth-Boy, Wolves and Butchers,  plays a piano/organ in a school blazer, wears no shoes and his friend shows illustrations on an overhead projector for the show.
Extravagant? Maybe if you really, really, really dug up your inner child.

Finally after the fairy tales, come the Smoke Fairies, impeccably dressed as Southern Belles. After a brief introduction they started the show with single Frozen Heart, followed by their most famous song to date, Gas Town, which received the warmest response from the audience, with punters all around saying that this is the song they came to hear; and some were even hoping for Jack White to show up to play the drums for them but needless to say he didn’t.

The Faries were accompanied by three more band members: a bass player, a drummer and a viola player, adding texture to their sound.

Gas Town at the Lexington

After a few new songs which will be included in a forthcoming album, to “be recorded on an island which can only be reached by boat”, the Smoke Fairies kept playing their wonderful vintage guitars, mixing new and older songs from their repertoire.

During the entirety of the show the Smoke Fairies kept relaxed and their onstage banter was quiet and friendly, the girls are very humble and sweet in the way they talk to the audience, explaining they only have cheese and whiskey in their rider, and making fun of their band T-Shirts.

They then went on to play the wonderfully sweet Morning Light with a light and melodic repetitive riff that keeps going through the song.

Morning Light at The Lexington

River Song,  B-side to Gas Town also had Jack White playing drums in the recorded version and  was well played tonight, although it missed the fiendish guitar solo at the song’s coda  that Mr White plays on the record.

After a brief pause the Fairies came back onstage for their encore, playing the wonderful Fences, mixing one finger-picking guitar with a bottle-neck riff that keeps the song going.

The concert ended with an unanimous cheer from an enthusiastic crowd, which know they have just witnessed something special, as the Smoke Fairies can take you to a clear night on a Western praire with buffalo roaming and coyotes howling with their hauntingly sweet songs.

Ones to Watch in 2010

February 1, 2010

EGYPTIAN HIP HOP

Neither Egyptian nor rappers, EHH are a four Mancunian 17 year olds still in high school. Their music is a mix of infectuos new wave guitar riffs and dreamy keyboards. First “single” (they are still unsigned) “Rad Pitt” was an underground Autumn sensation, firing up blogs all over the web. Have a listen here to see if you agree with the hype.

A second track that has surfaced from these young and talented schoolboys is “Heavenly”, far less dark, fewer guitars, more keys and R&B beats make this track a perfect example of modern synth pop, the double haunting vocals work well with the beat, and although it ain’t no “Rad Pitt” it’s still a very decent song!

SMOKE FAIRIES

Smoke Fairies are two stunning ladies from Sussex who play their vintage guitars in, well, a vintage way. Folky Blues is the music they play and on top of the intricate guitar licks their heavenly voices intertwine melodically in a way that can only be pleasing to the ear.

Latest single “Gas Town” b/w “River Song” has been published on Jack White’s Third Man Records label, and the White Stripes/Racounters/Dead Weather etc.. man himself gives the girls a hand by playing the drums on both tracks, helped by his trusted Raconteurs and Dead Weather bassman “Little” Jack Lawrence.

You can listen to both Third Man Records tracks here

And here is a guitar only live version of “Gas Town”

FIONN REGAN

Fionn Regan first hit the airwaves in 2006 with excellent acoustic folk album “The End of History” with brilliant tracks such as “Be Good or Be Gone” and “Put a Penny in The Slot”, drawing inspiration from  great folksmen such as Bert Jansch, Neil Young and Bob Dylan.

Unfortunately the album was not a commercial success and Regan remained an underground sensation limited to a niche of listeners.

With his new album, “The Shadow of an Empire” to be released on February 8th 2010, Regan has followed his mentors’ footsteps in particular Dylan’s, as the minstrel switched from acoustic folk to a full electric band in 1965 with the album “Bringing It All Back Home”, Regan adopts the same kind of sound with witty and political lyrics commenting the current economic crisis.

Here is the first new single, “Protection Racket”


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