Archive for the ‘Review’ Category

Eighteen Nightmares At The Lux

February 18, 2010

Fuzz Pedal? Check. Surf Drums? Check. Organ? Check. Bow Ties? Check. Nightmares? Check!!!!!

ENL are a young London band who released their first EP last night at the Notting Hill Arts Club, entitled Fuzz Candy, it draws inspiration from the whole array of styles that changed the face of Rock and Roll.

They know their music well, and inspire themselves from the best of each decade, a little 50s rockabilly here, a little surf rock there, a pinch of 60s garage, a spray of  ’77 punk , and the result  is the infectious rock and roll that blares out of ENL’s amps.

Last night’s short gig saw the venue packed with fans, casual listeners and even a hater, who threw glasses and shoes onstage, to which lead singer Shimmie politely responded “People came here to listen to us, if you don’t like it you might as well get out” a response which could only shut that individual up and let the rest of us enjoy the gloriously energetic show.

Fan favorite ”Ketchup Stains” got the crowd dancing/moshing/cheering as Shimmie wailed “This is the grand finale” over and over, luckily for us it was only the second song in the set and more was to come.

Progressing through their set and playing newer songs, they showcased their sound as the guitars intertwined with each other while the fuzz bass and the catchy surf drums kept the distorted beat.

ENL made sure to remind us that fuzz candy is not what you would find in a tuck shop near their school but the driving force behing their sound; turning the bass fuzz to 11, setting the keyboard on haunted house organ mode and ripping through their set as a nightmare would rip your brains apart in your sleep, only difference, there is no waking up from these eighteen nightmares!

Considering their young age and their influences the future is bright and exciting for these nightmares as they expand from the Lux to the rest of the world.

Listen to Eighteen Nightmare at the Lux here

Dev Hynes: Indie Music’s Chameleon

February 12, 2010

Dev Hynes was the heart of one of the mid-noughties’ biggest indie/rock/nu-rave/whatever-name-you-want-to-give-it sensations, Test Icicles.

A band with a funny name that released only one album in 2006 called “For Screening Purposes Only” and split up a year after its release. Their edgy, Bloc Party-ish single Circle Square Triangle was an anthem for indie discos across Europe. Soon Test Icicles were sanctified into indie rock heaven, and even more so for splitting up before their tunes started getting weaker (i.e. Bloc Party).

After their split, Devonté Hynes started a new career under the alias Lightspeed Champion, this time playing a very different genre, where the distorted guitars made way for acoustic ones and the screaming mutated into singing. Along with his new solo endeavor, he has also written songs for Florence and the Machine, Basement Jaxx and the Chemical Brothers.

At the end of 2009, with a new look, looking more like a cross between Love’s Arthur Lee and a delta bluesman than the indie fashionista he has always been, a new found love for Danelectro guitars and a new album, “Life is Sweet! Nice To Meet You” things are finally starting to look good for Dev.

First single “Marlene” starts with a thumping bass and drum, where country violins and bells infiltrate into the background before a Danelectro surfy riff leads to the chorus, accompanied by  more bows and a lighter chorus, only to fall back in the bouncy beat.

This is an  interesting and new direction for one our generation’s artistic chameleons, who has has found a new detour in his musical path. Dev’s ever-changing ways and new musical maturity keep us curiously wondering  what is to come next!

Le Butcherettes/Teri Gender Bender

February 10, 2010

Many tend to forget what rock and roll is all about, but luckily for us The Butcherettes A.K.A. Teri Gender Bender is here to remind us of that essence rare.

The airwaves are saturated with so called rock and rollers, but hardly any of these stand for the rebellion, angst and shock that are the soul of rock and roll.

Take the Kings of Leon – once an excellent, aggressive band with an attittude, now play soppy sappy pop that Bono could be playing if he stopped publicising himself and thought of using somebody or having sex on fire.

Teri Gender Bender on the other hand does all that the Sonics did in the mid 60s when they would break their amplifiers to sound more distorted while inciting people to poison themselves; what KISS did in the 70s (apart from the fact that Teri’s music stands against everything that KISS stood for i.e. objectifying women)  and what GG Allin did in the late 80s and early 90s when he would mutilate himself onstage.

Now, there was no self mutilation onstage last night at the Old Blue Last, and I have to admit I arrived late, and Teri was already onstage,  in a 50′s dress and barefoot playing vicious bluesy rock’n roll on a semi-hollow Epiphone while kicking the beat on a bass drum.

She then proceeded  to pick up her red high-heeled shoes, put one in her mouth while bashing her synths and singing about women with armpit hair through a megaphone , the crowd, who unfortunately was half laughing at  ”this crazy hot chick” ,  got what they deserved when Teri proved she’s for real by showing everyone her armpit hair.

The GG Allin and KISS comparisons came through when she started spitting fake blood out of her mouth and onto her dress (complete with apron), jumped offstage smashing the megaphone on the floor and started running through the audience all the way to a white curtained window at the back of the venue which in turn was smeared in fake blood while the synth’s programmed drums kept thumping.

During the last song Teri kept wailing and playing her incendiary guitar riffs and towards the end of the song threw her guitar on the floor and played it with her shoe/fake blood container. I was hoping for her to end in all the same way Jimi did in Monterey but i guess we’ll have to wait for Le Butcherettes’ next shows!

Thank you Teri for reminding us all what is rock and roll and what certainly is NOT.

ALL PICTURES FROM MYSPACE.COM/LEBUTCHERETTES

Listen to Le Butcherettes here

See Le Butcherettes live in London on February 19th at The London Eye

Smoke Fairies at The Lexington 1st February 2010

February 2, 2010

As I said yesterday in my “Ones to Watch in 2010″  post, The Smoke Fairies are one of the most exciting new bands at the moment.

Playing infectious Folk Blues topped by angelic voices, at times in unison, at times harmonizing with each other, the Smoke Fairies are a touching and special experience to see live.

As I arrived at The Lexington in Pentonville Road at around 8.15 and quickly bought my ticket, fearing the show had already started i rushed to the concert room upstairs only to find a few people listening to young Natalie Evans, a ginger haired teenage folk minstrel, playing such soft and sweet songs that the audience had to whisper when ordering a drink at the bar. I then found out that the Smoke Fairies were not to play before 9.30 and there was another opening act, Matthew Robins.

Matthew Robins sings fairy tales of made up characters such as Fly-Boy, Moth-Boy, Wolves and Butchers,  plays a piano/organ in a school blazer, wears no shoes and his friend shows illustrations on an overhead projector for the show.
Extravagant? Maybe if you really, really, really dug up your inner child.

Finally after the fairy tales, come the Smoke Fairies, impeccably dressed as Southern Belles. After a brief introduction they started the show with single Frozen Heart, followed by their most famous song to date, Gas Town, which received the warmest response from the audience, with punters all around saying that this is the song they came to hear; and some were even hoping for Jack White to show up to play the drums for them but needless to say he didn’t.

The Faries were accompanied by three more band members: a bass player, a drummer and a viola player, adding texture to their sound.

Gas Town at the Lexington

After a few new songs which will be included in a forthcoming album, to “be recorded on an island which can only be reached by boat”, the Smoke Fairies kept playing their wonderful vintage guitars, mixing new and older songs from their repertoire.

During the entirety of the show the Smoke Fairies kept relaxed and their onstage banter was quiet and friendly, the girls are very humble and sweet in the way they talk to the audience, explaining they only have cheese and whiskey in their rider, and making fun of their band T-Shirts.

They then went on to play the wonderfully sweet Morning Light with a light and melodic repetitive riff that keeps going through the song.

Morning Light at The Lexington

River Song,  B-side to Gas Town also had Jack White playing drums in the recorded version and  was well played tonight, although it missed the fiendish guitar solo at the song’s coda  that Mr White plays on the record.

After a brief pause the Fairies came back onstage for their encore, playing the wonderful Fences, mixing one finger-picking guitar with a bottle-neck riff that keeps the song going.

The concert ended with an unanimous cheer from an enthusiastic crowd, which know they have just witnessed something special, as the Smoke Fairies can take you to a clear night on a Western praire with buffalo roaming and coyotes howling with their hauntingly sweet songs.

Le Stelle di Mario Schifano – Lysergic Italian Pop

January 29, 2010

Mario Schifano, Italian pop artist in the 1960s was often compared to Andy Warhol, when Warhol drew the Campbell Soup Schifano drew the Esso logo, Warhol was involved in every aspect of art, just like Schifano. In 1967 both Warhol and Schifano started their adventure with music, Warhol with the Velvet Underground, Schifano with Le Stelle di Mario Schifano.

Le Stelle di Mario Schifano formed from various ashes of different Italian beat bands, such as New Dada’s bassist and the Wretched’s keyboard player.

All from different towns in Italy they first started playing in Rome, at the legendary Piper club, but were most successful in Turin, where they played many shows and recorded their debut and only album “Dedicato a..”.

The album consists of only 6 tracks dominated by strong feedback paired with sweet harmonies in a way similar to the Velvet Underground.

The track that i’m posting here is called “Molto Alto” (Very High) and is very lysergic in both words and sound.

Could it be only a coincidence that the acronym of their name without Mario Schifano’s name spells LSD?


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