Archive for the ‘Review’ Category

THE NEW PSYCHEDELIA

November 12, 2010

First of all I would like to apologize for the terrible neglicence i’ve had of IS YOUR CLAM IN A JAM? Series of things have made it hard for me to keep writing, but i’m glad to say we are back!

In the last few months i went to see two of the bands heralded for bringing psychedelia in the 21st century, one formed at Wesleyan University CT in 2005 and one in Perth, Australia in 2007: MGMT and Tame Impala.

MGMT are the first of the new wave of openly psychedelic bands to introduce a new element in the form of electronic instruments in their psychedelic odes to moons, birds and monsters. Their Album “Oracular Spectacular” was a breakthrough, with songs such as “Time to Pretend”, a deep view on the “crisis” that hits young adults and makes them become drones of modern society, accompanied by its video, a homage to Jodorowski’s “The Holy Mountain” filmed as a post-digital collage, portaying a post-apocalyptic young Utopia. Unfortunately though that song and “Kids” were spoilt into becoming mainstream monsters, what were conceived as philosophical views on youth, suddenly became songs that even the least musical person would know and love without realising or caring about the message behind it.

After the song becoming the opening anthem for Sarkozy’s speeches, MGMT felt that it was time to show everyone what they are really worth, making an album with no singles that flows all together like one long song. The musical odyssey that is “Congratulations” is what one may consider to be a psychedelic masterpiece of the modern age.

Psychedelic, a terminology used to describe music that actually makes you think and lets your brain flow and go strange places. Mozart is psychedelic, as his works certainly make you imagine things and take you in different worlds while you listen. Psychedelic is a terminology used to describe different states of mind, it is music that takes you on a trip, first pioneered in the late 60s with acid drenched bands that would see the light in a carton of LSD and then paint beautiful landscapes and dreams with their electric guitars.

The majority of the bands that made psychedelic music were connected with their third eye, and made it clear that there was nothing to pretend, the revolution is here and it’s inside my head.

That takes us to the second band, from Perth and already blogged about here previously, Tame Impala. As written in the previous post, Tame Impala are a young band that has opened a North American tour for MGMT, also psychedelic, but in a more traditional way, say if  J Mascis replaced George Harrison in the Magical Mystery Tour-era Beatles. By cutting one of the best albums of 2010, “Innerspeaker”,  songs such as “Lucidity” and “Alter-Ego” made it clear that these were very talented, young and passionate musicians, without a care in the world except the curiosity of what it these chemicals are doing to them, how they are expanding their minds.

Having seen both bands made me realise a few things, mainly that I fear society’s fast-chewing attitude to music. The MGMT concert was packed, tons of people were there to see them, people were wearing flowers on their heads, “Great, here we go!”.

But then as the band came onstage and started playing songs from their second album there was stupor in the air, most of the people there seemed to not have listened to the record, sporadic hits from the debut sparked interest whilst most songs from the second album could barely be heard because of the chatter in the audience.

Then “Kids” came on, suddently MGMT were a boy band, running around onstage singing to a wild crowd shouting the main riff and jumping in unison, as the song finished the shouts kept going until MGMT were forced to keep it going longer. Poor MGMT, I thought, Kids may haunt them forever. Deciding to break away from that mold with the second album, which portrayed their current musical interests, had no effect once taken into a live show.

After the concert MGMT were Djing at a nearby pub/club, filled with people that were there already there for other reasons and some that hoped that seeing their Psychedelic Smirking Worm Rock Freakout meant they would hear “Kids” five times, no flower children or freaks were there. Then they started Djing, which basically consisted of them playing songs they like with no flow and no order, “Lucifer Sam” made its way in there, but the rest of the songs played were often far from what i had hoped.

Tame Impala on the other hand were playing their biggest headline show in London to date, very nervous and meticulous, always checking if the instruments were in tune delivered an excellent show that showcased their music to a crowd that knew all the songs and seemed to understand what their music was all about. Combined with a psychedelic light show, the concert was an experience for the senses, just as the ones the band had felt while composing the songs.

MGMT were the pioneers of New Psychedelia, they have now grown out of the mold they created and have become poster-boys for the movement, perhaps forgetting their roots, while Tame Impala are certainly maintaining the spirit of their predecessors, by making music for the mind and the soul; let’s just hope that they’ll age like wine.

PSYCHONAUTS RIDING THE BACK OF A TAME IMPALA

July 22, 2010

Along with myriads of new bands, Perth’s own Tame Impala have made a bible of the Nuggets and Pebbles compilations, the only difference is that while most of the other bands most of the time simply name-check those compilations and the magical music that was created in that very important time in rock and roll history, Tame Impala actually make the most of capturing the essence and spirit of their swingin’ predecessors by making it unique and modern.

First single ” Solitude is Bliss” feels like it was recorded by Aquaman after having  ingested Ayahuasca  in his underwater lair. Lyrics such as the chorus’  ”There’s a party in my head and no one is invited/ You will never come close to how I feel”  confirm to the listener that there is no mistake, there is no half-way, this music is intended for and made by psychonauts.

But it’s not all trips and myths for Tame Impala, another excellent song off their debut album “Innerspeaker” released on Modular is “Why won’t you make up your mind?” is a beautiful love song; again filled with beautifully processed guitars, and oneiric landscapes played here in the Californian wilderness where hundreds of years before tribes and shamans also gave their odes to nature.

Tame Impala have just finished a North American tour with post-psych moguls MGMT, now let them enter your psyche for an intimate and interesting journey.

ADAM PARKER, SMART MAN.

June 28, 2010

Adam Parker is a singer/songwriter who has kept up with the times, he does not reject modern sounds as many of his contemporaries tend to, allowing his sound to be different and more interesting to a critical ear while keeping it accessible to the casual listener who will enjoy his melodies.

His debut album, “Call Me a Medic”, produced by Grammy-Nominated Dyre Gormsen combines traditional folk-pop structures that intertwine Adam’s smooth voice with urban beats, derived sometimes form hip-hop and sometimes in the form of mild electronica.

Adam first hit the airwaves in 2008 thanks to a collaboration with famed house DJ Sasha who grew fond of and remixed his song “High Life” which became a hit in the dance charts in the US. Adam has since started to build a name for himself  in the US  thanks to Jason Eldregde who is championing two songs from the debut album, “K3″ and “Oh My” on both East Village Radio in New York and KCRW in Los Angeles.

“Smart Man”, Adam’s first proper single is a song about having enough with a current situation and veering out of it by becoming a smart man. The video for the song came out at the time of the British Elections in May, and shows Adam and a small creature trying to wake the British population to vote  for a smart man.

The future looks bright for Adam, being featured in The Times as the weekend’s top download songs for smart man and with the upcoming release of follow up single, “Oh My”,to be released in early August.

KLAXONS: EXTREME FLASHOVER

May 27, 2010

After 3 years of mistery and a finished album rejected by their label, the godfathers of Nu-Rave and all the electro indie music that has filled the internet, the clubs and the “airwaves” have finally released a new song.

You won’t like Flashover if you are expecting another Golden Skans, it’s not poppy, it’s not radio friendly,it’s not day-glo and no one will be flashing glowsticks around when they hear it live; it’s dark, evil and rocks pretty hard.

It sounds like the soundtrack of a party in a dark and wet cave with the only lights being intermittent strobes flashing while a colony of ghouls and fiends jump around enough to piss off  Gollum, who lives in the next door cave and keeps banging on the walls praying for less noise.

The long-awaited sophomore album, at the moment under the working title Surfing the Void should be released in the autumn and Flashover is a taste of what is to come. All I can keep wondering is when will we hear the album that was rejected by their label? Why weren’t Klaxons allowed to release what they wanted to do? Probably because their prog influences took them too far away from radio friendliness, but is that  a bad thing? Maybe for their label..

TERMINALLY CHILLWAVE

May 10, 2010

Chillwave is the latest musical trend to come out of the United States, an electronic version of lo-fi, it incorporates casio/toy synth sounds with melodically distant vocals, usually heavily processed together with synthetic percussion sounds and most of the time sounds like it could be the soundtrack to an underwater dance party in the summer of 1982. It is dreamy, catchy, emotional and fresh in a retro way. Chillwave is the soundtrack to your bummer in the summer.

NEON INDIAN – DEADBEAT SUMMER

Austin, Texas based Neon Indian aka Alan Palomo is one of the “founding fathers” of the Chillwave movement. Debut LP Psychic Chasms was produced in his apartment in a warm summer; Deadbeat Summer is a prime example of  Chillwave, sampling Todd Rundgren’s  ”Izzat Love”  as well as distorted synths, video game beeps, processed lazy vocals and distorted fuzzy guitars.

TORO Y MOI – TALAMAK

Another one-man-band, this time from Columbia, South Carolina, Chazwick Bundick is another prime example of Chillwave again nodding to sun and summer in the sounds that could be the perfect soundtrack to waking up on a summer Sunday morning with the sun shining on your face.

WASHED OUT – FEEL IT ALL AROUND

Washed Out aka Ernest Greene is another founding member of the chillwave movement, from Perry, Georgia, and close friend to Toro Y Moi’s Chazwick Bundick, Feel It All Around is one of the most prominent chillwave songs, again it couldn’t be more summery if it was a surfing teacher called Summer Flowers who lived in Baja California.

SMALL BLACK – DESPICABLE DOGS

An emerging band from Long Island, Small Black fuse heavily distorted yet quiet Casio synths and guitars, with distant yet very emotional vocals that capture the vibe in which it was recorded, Small Black’s vocalist Josh Kolenink’s uncle Matt’s attic in Long Island. Uncle Matt, who is a surf-maker, is the main subject of the video for Despicable Dogs.

BIG SPIDER’S BACK – PERFECT MACHINE

Another solo project, this time from Seattle and coming from the mind and bedroom of  Yair Rubinstein; Big Spider’s Back is surprisingly intricate  be a one-man-band. A very emotional track with characteristically distant and echoed vocals and repetitive keyboards and synths.

SPRING TIME’S HERE KIDDIES, IT’S TIME TO TAKE A TRIP!

April 18, 2010

I apologize for the lag between the last post and the new one, but as most of you in the northern hemisphere have experienced in the last few days the weather has been gearing up towards the glorious summer.

As a result I have been enjoying the weather, as many of you; but at the same time have compiled a list of some of my favourite summer songs (in no particular order) to accompany you in the (sunny) days to come.

DONOVAN – SUNNY SOUTH KENSINGTON (1967)

A psychedelic gem from Donovan’s 1967 album “Mellow Yellow”. Similar in subject to Sunshine Superman’s “The Trip”, as it was a tale of a night on acid out in Los Angles with Bob Dylan and Mama Cass amongst the others, Sunny South Kensington is a song about the vibrant scene in South West London in the mid 60. Lyrics such as “Mary Quant and Jean-Paul Belmondo/Got stoned to say the least,/ and Ginsberg ended up dry/So he too a trip out East” tell the tale of what Swinging London’s finest were doing at the moment; and it’s not only drugs!

If you’re interested in another sunny part of London sung about by Donovan, here is “Sunny Goodge Street”

THE YOUNG RASCALS – GROOVIN’ (1967)

“Groovin’ ” is a step away from the blue eyed soul that predominated the Young Rascals sound towards more afro-cuban rhythms that at the time intrigued lead singer and main songwriter Felix Cavaliere.
The song was a massive hit in the US in May 1967 and has reappeared in the charts in later years through various reinterpretations.

THE BUBBLE PUPPY – I’VE GOT TO REACH YOU (1969)

The Bubble Puppy were label mates to the pioneering 13th Floor Elevators in the massively influential International Artists label. This epic 7 minute song starts off with a hard-bluesy riff that leads to a melodic flower-power guitar verse followed by a majestic chorus. (Unfortunately the version on the video was recorded from a faulty turntable resulting in a slower-than-normal sounding song).

OS MUTANTES – A MINHA MENINHA (1968)

Os Mutantes, together with other Brazilian greats such as Gilberto Gil, in a time of military dictatorship in their home country created a sound that blended  typical Brazilian sounds together with psychedelic rock resulting in one of the most interesting genres in South America, Tropicalia. Os Mutantes split in 1978 and have since influenced many artists, Kurt Cobain was a massive fan and in the early 90s wrote a letter to the three founding members begging them to reform.

LOVE – MAYBE THE PEOPLE WOULD BE THE TIMES OR BETWEEN CLARK AND HILLDALE (1967)

Taken from Love’s 1967 psychedelic masterpiece “Forever Changes”; Maybe The People Would Be The Times Or Between Clark and Hilldale describes Arthur Lee’s peace of mind when on Sunset Strip in L.A. in the mid/late 60s.
The legendary Whiskey a GO-GO club was situated between Clark and Hilldale and the song describes the LA subculture through a spanish flamenco guitars fused with a more electric West Coast Sound, backed by Lee’s generation-defining lyrics:

“What is happening and how have you been
Gotta go but I’ll see you again
And oh, the music is so loud
And then I fade into the…

Crowds of people standing everywhere
‘Cross the street I’m at this laugh affair
And here they always play my songs
And me, I wonder if it’s…

Wrong or right they come here just the same
Telling everyone about their games
And if you think it obsolete
Then you go back across the street
Yeah, street, hey hey

When I leave now don’t you weep for me
I’ll be back, just save a seat for me
But if you just can’t make the room
Look up and see me on the…

Moon’s a common scene around my town
Here where everyone is painted brown
And if we feel that’s not the way
Let’s go paint everybody gray
Yeah, gray, yeah”.

THE SONICS WILL MAKE YOU JUMP, THEY WILL MAKE YOU SHOUT, THEY MIGHT EVEN KNOCK YOU OUT!

April 7, 2010

The Sonics aren’t in the Rock and Roll Hall of fame, they did not have number one records, and they weren’t loved by parents and children alike. The Sonics were raw, they were loud, they sabotaged their amps in order to sound more distorted, they screamed, they shouted, they incited their listeners to poison themselves and influenced every punk/grunge/garage band in the years to follow; and still do every single one of those things to this day.

Formed in Tacoma,Washington in 1963, in the wake of other Pacific Northwest bands such as The Kingsmen and the Fabulous Wailers, the Sonics took the whole raunchiness and loudness the Northwest was famous for to another level combining it with an obsession with Little Richard and Chuck Berry, resulting in some of the most powerful music to have ever been recorded at the time.

The Sonics were brought back to life a couple of years ago by the Cavestomp festival in New York, quickly followed by their first ever performance outside their native soil, at London’s Le Beat Bespoke Weekender in 2008, after which they had a sold out European tour, only to return to London again this year for the same festival.

Performing to a crowd of garage-heads of both young and old, The Sonics ignited the audience with their fierce and relentless rock and roll, that would leave your ears bleeding, yet begging for more.

The first chords of  set opener “He’s Waiting”, one of their baddest songs, ignited a furious roar from the crowd, which from then onwards never ceased to move. What is most impressive about this band is that notwithstanding their age (mid-60s) they still are so tight musically and can unleash more energy than most young bands around today. The fullness of their sound, with guitar, organ, and sax all turned up to 13 made sure that my ears were still ringing well into the next afternoon, to remind me of an unforgettable evening in company of Tacoma’s finest.

Playing a set with all their classics, from “Cinderella” to “Psycho” to their infamous rendition of “Louie, Louie” (a critic at the time it was recorded commented that the song has only three chords, and they can’t even play them right).

Perhaps the highlight of the night was “Stychnine” one of their classic songs, a garage punk standard, tonight doubled in length; and re-vamped with a fantastic and more psychedelic (the Sonics were around before psychedelia and stuck to their straight forward dirty brassy R&B) guitar solo courtesy of the great Larry Parypa.

The Sonics to this day remain one of the most influential bands in the rock and roll world whether directly or indirectly and will always continue to inspire younger generations with their music as well as their antics.

Larry Parypa once stated “Everything you heard people say about us is true”; just think of all you haven’t heard about them.

A SONG A YEAR: The UK in the 1960s (Part 1)

March 25, 2010

1960: The Shadows – Apache

John Lennon once stated that “before Cliff and The Shadows, there had been nothing worth listening to in British music.” The Shadows were the biggest british band before the Beatles hit the airwaves in 1963,formed by Cliff Richard, they were an instrumental 4 piece who pioneered the 4 piece rock band format that would later become a standard for bands worldwide. Recorded at the legendary Abbey Road Studios in London, Apache was a breakthrough in rock music, for using an echo chamber combined a vibrato effect achieved by Hank Marvin’s Fender Stratocaster giving it a typical surf rock sound that would later boom across the Californian beaches.

1961: John Leyton – Johnny Remember Me

Produced by visionary record producer Joe Meek, “Johnny Remember Me” was a No. 1 hit for John Leyton in 1961.
The eerie musical landscapes of the song reflect its theme, a haunting call from a dead lover to be remembered by her survivivor.

1962: The Tornados – Telstar

Another great instrumental, and another one produced by Joe Meek. Telstar was the first british song to top the US charts. Named after the first AT&T satellite to go into orbit, Telstar ushered a generation into the space race and kept them looking athe sky at night. George Bellamy’s guitar skills as the Tornados’ rhythm guitarist have since been transmitted to his son, Matt, frontman of Muse. Telstar has also been claimed by the Iron Lady (Margaret Thatcher) as her favourite song.

1963: The Beatles – She Loves You

And here they are, the ones that changed the face of rock and roll forever. Before them girls didn’t scream and pull their hair when they saw a band live, people didn’t faint if they caught a glimpse of their musical heroes across the street and the whole world wasn’t obsessed by the same band at the same time. Thanks to the Beatles all these things happened, and more.

1964:  The Four Pennies – Black Girl

“Black girl/Where Did You Sleep Last Night/In the Pines”, is a song that has a cycle. It first was written in the late 19th century and was first recorded by influential southern-blues man Leadbelly. Revived in 1964 by blues-obsessed british beat/R&B band The Four Pennies, this emotional and dramatic tale of twisted love and jealousy came back again in the early 90s with Nirvana’s very emotional-in-retrospect version that closed their Unpugged in New York performance.

(I know it says 1965 on the video, but the song was actually recorded and released in 1964)

THE TINS – UNDISCOVERED WONDERS

March 20, 2010

Yet  another great unsigned band. (Why don’t record labels stop thinking about making a buck and do what they are meant to? i.e. help make and distribute good music?)

The Tins are from Buffalo NY and are a young three piece formed by Mike Santillo on vocals and keyboards, Adam Putzer on guitar and vocals and Dave Muntner on drums.

Three friends from Binghampton University, The Tings have been together for five years  have finally started to record, and are releasing their first self titled debut EP soon. They play a mixture of  emotionally moving alternative rock à la Wolf Parade/Moon and Antarctica-era Modest Mouse/Pinback,together with end-of-noughties-folk and with a sunny tinge brought by the oniric keyboards.

Seven minute EP highlight, The Green Room,is long enough to let a song become interesting, and has heartfelt, yet simple lyrics such as:

“I made up my mind on what you said,
It’s a little mad,
It’s a bit a bit of madness,
Just ride Off!
And I just wanna bring you down,
It’s a little sad, It’s a little sad
Just back Off!”

The smooth slide guitar licks play well with the keyboards, which vary  from a repetitively radiant phrase to a darker bass drone that gives more space to the intricate guitar work, all backed by cymbal-heavy drums.

The Tins are still an undiscovered wonder to most, but will quickly surely become frequent listens to those that will hear them.

Keep up to date for the EP release and listen to more songs HERE.

GIRLS GIRLS GIRLS!!!!

February 26, 2010

Girls are formed by the enigmatically sweet  frontman Chris Owens, who grew up without a father in the Children of God cult, where he wasn’t allowed to listen to popular music and where his mother was occasionally forced to prostitute herself for the cult. Running away from such hell, Chris lived as gutter-punk in Texas in his teenage years before he was taken under a local millionaire’s wing and eventually moved to San Francisco.
Girls’ other half is Chet “JR” White, a former chef in San Francisco, that through mutual friends, mutual gigs and mutual interests met Chris.

Realizing like so many of us that life is short and cannot be spent on a couch watching TV, Girls were formed out of necessity to combat laziness and more concretely when Chet visited Chris  to help him figure out how to use a four track recorder, where one song led to the next and Girls came to be.

Their debut album, the Warholly named “Album” released in September 2009, is a pastiche of dreamy-psych-pop with moments of punk-shoegaze with lyrics which are emotionally compelling and reminiscent of their home town’s golden love era.

Girls’ concert on Tuesday night at the Scala showcased their album, backed by a full band (Guitar, Drums and Organ/Keyboard), together with a few new and unreleased songs  showing Girls’ emotions, transmitted to us on that evening through jangly guitars, maracas, thumping bass lines and Chris’s hiccuppy voice.

New single “Laura”, a beautiful song about a bad breakup and the need and importance to remain friends after a relationship, opened the show for an audience that throughout the concert failed to get involved/dance/move/sing along, but often kissed to Chris’ love poetry.

As so many Girls songs, named after actual girls (Laura, Lauren Marie) a new song called Lisandra, which Chris rightfully claims to be the best song he has ever written, was played at the Scala; a beautiful summery ode to love which will be part of a concept project that Girls will endure in in the near future.

Being an NME Awards show, and Girls not having been nominated,  Chet  joked with the audience congratulating The Big Pink on their “success” and hoped that they will be nominated next year. But does this really matter? To Girls? To Fans?

NO

The following night the NME awards took place at the Brixton Academy, while at the Old Blue Last in Shoreditch, where Teri Gender Bender’s fake blood is still smeared on a white curtain Yuck, La La Vasquez and Dum Dum Girls played a gig to a crowd of no more than 50 people.
Going on a cigarette break after La La Vasquez’s set, as i walked out the pub I noticed a familiar hat, hair and jacket, and there he was, Chris Owens himself having a chat with Yuck’s drummer and singer. After sharing a few words, Chris rushed back in to see Dum Dum Girls, next to his bandmate Chet.

This is to prove that Girls’ glory knows no bounds, instead of being at the NME awards trying to get attention like any crappy band (ie Big Pink) they were at a half empty gig by unsigned bands talking to everyone and being the nice and friendly people that you would think they are when listening to their music.

Girls, I take my hat off to you.

LISTEN TO DUM DUM GIRLS HERE

LISTEN TO LA LA VASQUEZ HERE — CLARE SAVAGE (great song!!!)

LISTEN TO YUCK HERE


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